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«by JANE ELIZABETH KINGSLEY-SMITH A thesis submitted to the Faculty of Arts of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The ...»

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St. 15(1982), 21-36 Levenson, Jill L., Romeo and Juliet (Manchester: Manchester University Press, 1987) Kirschbaum, Leo, 'Banquo and Edgar: Character or Function?', Essays in Criticism 1 (1957) 1-21 Knapp, Jeffrey, An Empire Nowhere: England, America, and Literature from Utopia to The Tempest (Berkeley and Oxford: University of California Press, 1992) Knowles, Richard, 'Myth and Type in As You Like It', ELH33 (1966), 1-22 Kronenfeld, Judy Z., 'Social Rank and the Pastoral Ideals of As You Like It' Sh O "9 (1978), 333-48 Lacey, Robert, Robert, Earl of Essex: An Elizabethan Icarus (London: Weidenfeld and Nicolson, 1971) Lagos-Pope, Maria-Ines (ed.) Exile in Literature (London and Toronto: Associated University Presses, 1988) Landt, D. B., The Ancestry of Sir John Falstaff Sh. Q. 17 (1966), 69-76 Lascelles, Mary, 'Shakespeare's Pastoral Comedy' in More Talking of Shakespeare ed. by John Garrert (London: Longmans, Green and Co. Ltd., 1959), 70-86 Lee, Arthur Gould, The Son of Leicester: The Story ofSir Robert Dudley (London: Victor Gollancz Ltd., 1964)

Leech, Clifford, 'The Moral Tragedy of Romeo and Juliet' in English Renaissance Drama:

Essays in Honor of Madeleine Doran and Mark Eccles ed. by Standish Henring, Robert Kinbrough and Richard Knowles (Carbondale and Edwardsville: Southern Illinois University Press, 1976), 59-75 Lees, F.N., 'Coriolanus, Aristotle and Bacon', RES 1 (1950), 114-25 Leggatt, Alexander, 'A Double Reign: Richard II and Perkin Warbeck in Shakespeare and his Contemporaries: Essays in Comparison ed. by E. A. J. Honigmann (Manchester: Manchester University Press, 1986), 129-39 Leggatt, Alexander, Shakespeare's Political Drama: The History Plays and the Roman Plays (London and New York: Routledge, 1988) Lerner, Lawrence, 'An Essay on Pastoral', Essays in Criticism 20 (1970), 275-97 Levenson, Jill L., 'The Definition of Love: Shakespeare's Phrasing in Romeo and Juliet '. Sh.

St. 15 (1982), 21-36 Levenson, Jill L., Romeo and Juliet (Manchester: Manchester University Press, 1987) Levin. Harry, 'Form and Formality in Romeo and Juliet', Sh. Q. 11 (1960), 3-11 Levin, Harry, 'Shakespeare's Misanthrope', Sh. S. 26 (1973), 89-94

Levin, Richard, The Multiple Plot in English Renaissance Drama (Chicago and London:

University of Chicago Press, 1971) Levith, Murray J., Shakespeare's Italian Settings and Plays (London: Macmillan Press Ltd 1989) Liebler, Naomi Conn, Shakespeare's Festive Tragedy: The Ritual Foundations of Genre (London and New York: Routledge, 1995) Loane, Marcus L., Masters of the English Reformation (London: Church Book Room Press, 1954) Loane, Marcus L., Pioneers of the Reformation in England (London: Church Book Room Press, 1964) Locatelli, Angela, The Fictional World of Romeo and Juliet: Cultural Connotations of an Italian Setting' in Shakespeare's Italy: Functions of Italian Locations in Renaissance Drama ed. by Michele Marrapodi, A. J. Hoenselaars, Marcello Cappuzzo and L. Falzon Stantucci (Manchester and New York: Manchester University Press, 1993), 69-84 Long, Michael, The Unnatural Scene: A Study in Shakespearean Tragedy (London: Methuen, 1976) Loomba, Ania, Colonialism/Postcolonialism (London and New York: Routledge, 1998) Loomie, Albert J.. The Spanish Elizabethans: The English Exiles at the Court of Philip II (New York: Fordham University Press, 1963) McAlindon, T., Shakespeare's Tragic Cosmos (Cambridge: Cambridge University Press, 1991) McCoy, Richard C., The Rites of Knighthood: The Literature and Politics of Elizabethan Chivalry (Berkeley and London: University of California Press, 1989) Macdonald, Ronald R., 'Uneasy Lies: Language and History in Shakespeare's Lancastrian Tetralogy' Sh. Q. 35 (1984), 22-39 MacFarland, Thomas, Shakespeare's Pastoral Comedy (Chapel Hill: University of Carolina Press, 1972) Mack. Maynard, Killing the King: Three Studies in Shakespeare 's Tragic Structure (New Haven and London: Yale University Press. 1973) Mack, Maynard, King Lear in Our Time (London: Methuen & Co. Ltd., 1966) MacKenzie, Clayton G., 'Paradise and Paradise Lost in Richard IF Sh. Q. 37 (1986), 318-39 MacLean, Hugh, 'Disguise in King Lear: Kent and Edgar', Sh. Q. 11 (1960), 49-54 Mahood, M. M.. Shakespeare's Wordplay (London: Methuen & Co. Ltd., 1957)

Manheim, Michael, The Weak King Dilemma in the Shakespearean History Play (New York:

Syracuse University Press, 1973) Marcus, Leah S., Puzzling Shakespeare: Local Reading and its Discontents (Berkeley, Los Angeles and London: University of California Press, 1988) Margolies, David, Monsters of the Deep: Social Dissolution in Shakespeare's Tragedies (Manchester: Manchester University Press, 1992) Marienstras, Richard, New Perspectives on the Shakespearean World tr. by Janet Lloyd (Cambridge: Cambridge University Press, 1985) Marinelli, Peter, Pastoral (London: Methuen, 1971) Martindale, Charles and Michelle, Shakespeare and the Uses ofAntiquity: An Introductory Essay (London and New York: Routledge, 1990) Maus, {Catherine Eisaman, Inwardness and Theater in the English Renaissance (Chicago and London: University of Chicago Press, 1995) Merrix, Robert P. and Carole Levin, ' Richard II and Edward II: The Structure of Deposition', Sh. Yearbook 1 (1990), 1-13 Meszaros, Patricia K., "There is a world elsewhere": Tragedy and History in Coriolanus'.

SEL 16(1976), 273-85 Miles, Geoffrey. Shakespeare and the Constant Romans (Oxford: Clarendon Press, 1996) Miller, Shannon. -Topicality and Subversion in William Shakespeare's Coriolanus', SEL 32 (1992), 287-322 Miola, Robert S., Shakespeare 's Rome (Cambridge: Cambridge University Press, 1983) Miola, Robert S., 'Timon in Shakespeare's Athens' Sh. O. 31 (1980), 21-30 Moisan, Thomas. 'Rhetoric and the Rehearsal of Death: The 'Lamentations' Scene in Romeo andJuliet\ Sh. O. 34 (1983), 389-404 Monsarrat, Gilles, Light from the Porch: Stoicism and Renaissance Literature (Paris: Didier Erudition, 1984) Montrose, Louis A., 'Of Gentlemen and Shepherds: The Politics of Elizabethan Pastoral Form'. ELH50 (1983), 415-59 Montrose, Louis A., '"The Place of a Brother" in As You Like It: Social Process and Comic Form', Sh. Q. 32 (1981), 28-54 Montrose, Louis A., The Purpose of Playing: Shakespeare and the Cultural Politics of Elizabethan Theatre (Chicago and London: University of Chicago Press, 1996) Mooney, Michael E., '"Edgar I nothing am": Figurenposition in King Lear', Sh. S. 38 (1985), 153-66 Morris, Christopher, Political Thought in England - Tyndale to Hooker (London: Oxford University Press, 1953) Mowat, Barbara A., 'Prospero, Agrippa, and Hocus Pocus', ELR 11 (1981), 281-303 Mullaney, Steven, The Place of the Stage: License, Play, and Power in Renaissance England (Michigan: University of Michigan Press, 1995) Murdoch, Iris, The Fire and the Sun: Why Plato Banished the Artists (Oxford: Clarendon Press, 1977) Murray, Peter B., Shakespeare's Imagined Persons: The Psychology of Role-Playing and Acting (Basingstoke and London: Macmillan Press, 1996)





Nelson, Malcolm A., The Robin Hood Tradition in the English Renaissance (Salzburg:

Universitat Salzburg, 1973)

Nevo, Ruth, Comic Transformations in Shakespearean Comedy (London and New York:

Methuen & Co Ltd., 1980) Newman, Franklin B., The Rejection of Falstaff and the Rigorous Charity of the King' Sh. St.

2(1966), 153-61 Norbrook, David, '"A Liberal Tongue": Language and Rebellion in Richard /Tin Shakespeare 's Universe: Renaissance Ideas and Conventions ed. by John M. Mucciolo (Aldershot: Scolar Press, 1996), 37-52 Novy, Marianne. Love's Argument: Gender Relations in Shakespeare (Chapel Hill and London: University of N. Carolina Press, 1984) Oliver. H. J.. 'Coriolanus as Tragic Hero', Sh. Q. 10 (1959), 53-61 Orgel, Stephen, 'Making Greatness Familiar1 in The Power of Forms in the English Renaissance ed. by Stephen Greenblatt (Norman, Oklahoma: Pilgrim Books, 1982) Palmer, Barbara D., '"Ciphers to This Great Accompt": Civic Pageantry in the Second

Tetralogy1 in Pageantry in the Shakespearean Theatre ed. by David M. Bergeron (Athens:

University of Georgia Press, 1985), 114-29 Palmer, D. J., 'Casting off the Old Man: History and St. Paul in Henry IV Crit Q 12 (1970) 267-83 Parker, Barbara L., A Precious Seeing: Love and Reason in Shakespeare's Plays (New York and London: New York University Press, 1987) Parker, Patricia, Shakespeare from the Margins: Language, Culture, Context (Chicago and London: University of Chicago Press, 1996)

Parker. R. B., 'Coriolanus and 'th'interpretation of the time' in Mirror up to Shakespeare:

Essays in Honour ofG. R. Hibbard ed. by J. C. Gray (Toronto and London: University of Toronto Press, 1984), 261-76 Paster, Gail Kern, 'To Starve with Feeding: The City in Coriolanus', Sh. St. 11 (1978), 123Patterson, Annabel, Shakespeare and the Popular Voice (Oxford: Basil Blackwell, 1989) Perry, Curtis, The Making ofJacobean Culture: James I and the Renegotiation of Elizabethan Literary Practice (Cambridge: Cambridge University Press, 1997) Pitcher, John, 'A Theatre of the Future: The Aeneid and The Tempest', Essays in Criticism 34 (1984), 193-211 Plotz, John, 'Coriolanus and the Failure of Performatives', ELH63 (1996), 809-32 Poggioli. Renato, The Oaten Flute: Essays on Pastoral Poetry and the Pastoral Ideal (Cambridge, Mass.: Harvard University Press, 1975) Porter, Joseph A.. The Drama of Speech Acts: Shakespeare 's Lancastrian Tetralogy (Berkeley and London: University of California Press, 1979) Potter. Nicholas, '"Like to a tenement or pelting farm": Richard II and the Idea of the Nation' in Shakespeare in the New Europe ed. by Michael Hattaway, Boika Sokolova and Derek Roper (Sheffield: Sheffield Academic Press, 1994). 130-47 Potter, Robert, The English Morality Play: Origins, History, and the Influence of a Dramatic Tradition (London: Routledge and Kegan Paul, 1975) Pound. John, Poverty and Vagrancy in Tudor England (London: Longman, 1971) Prior, Moody E.. 'Comic Theory and the Rejection of Falstaff in William Shakespeare's Henry IV Part Two ed. Harold Bloom (New York: Chelsea House Pub., 1987), 57-69

Prior, Moody E., The Drama ofPower: Studies in Shakespeare 's History Plays (Illinois:

Northwestern University Press, 1973), 59-82 Ranald, Margaret Loftus, The Degradation of Richard II: An Inquiry into the Ritual Backgrounds' ELR 7 (1977), 188-94 Ranald, Margaret Loftus, Shakespeare and his Social Context: Essays in Osmotic Knowledge and Literary Interpretation (New York: AMS Press, 1987) Rhodes, Neil, Elizabethan Grotesque (London: Routledge and Kegan Paul, 1980)

Rhodes, Neil, The Power ofEloquence and English Renaissance Literature (Worcester:

Harvester Wheatsheaf, 1992) Riss, Arthur, 'The Belly Politic: Coriolanus and the Revolt of Language' ELH59 (1992), 53Ronan, Clifford, "Antike Roman ": Power Symbology and the Roman Play in Early Modern England 1585-1635 (Athens and London: University of Georgia Press, 1995) Salgado, Gamini, The Elizabethan Underworld (London: J. M. Dent & Sons, 1977) Salingar, Leo, 'Falstaff and the Life of Shadows' in Shakespearean Comedy ed. by Maurice Charney (New York: New York Library Forum, 1980), 185-206 Salingar, Leo, 'King Lear, Montaigne and Harsnett', Aligarh Journal ofEnglish Studies 8 (1983),124-66 Salingar, Leo, Shakespeare and the Traditions of Comedy (Cambridge: Cambridge University Press, 1974) Samuel, Irene, 'The Influence of Plato on Sir Philip Sidney's Defense of Poesy" MLO 1 (1940), 383-91 Sanders, Norman, The True Prince and the False Thief, Sh. S. 30 (1977), 29-34 Sanders, Wilbur, The Dramatist and the Received Idea: Studies in the Plays ofMarlowe and Shakespeare (Cambridge: Cambridge University Press, 1968)

Saunders, Jason Lewis, Justus Lipsius: The Philosophy of Renaissance Stoicism (New York:

Liberal Arts Press, 1955) Schell, Edgar T., 'Prince Hal's Second 'Reformation", Sh. Q. 21 (1970), 11-6 Schmidgall, Gary, Shakespeare and the Poet's Life (Kentucky: University of Kentucky Press.

1945) Schneider, Ben Ross, 'Are we being historical yet?: Colonialist Interpretations of Shakespeare's Tempest', Sh. St. 23 (1995), 120-45 Schoenbaum, S., ' Richard II and the Realities of Power', Sh. S. 28 (1975), 1-13 Schoenbaum, S., Shakespeare 's Lives (Oxford: Clarendon Press, 1970) Scragg, Leah, Shakespeare's Mouldy Tales: Recurrent Plot Motifs in Shakespearian Drama (London: Longman, 1992) Scoufos, Alice-Lyle, Shakespeare's Typological Satire: A Study of the Falstaff-Oldcastle Problem (Ohio: Ohio University Press, 1979) Sells, A. Lytton, The Paradise of Travellers: The Italian Influence on Englishmen in the Sixteenth Century (London: George Alien & Unwin Ltd, 1964) Seward, James H., Tragic Vision in Romeo and Juliet (Washington: Consortium Press, 1973) Sewell, Elizabeth, 'As I was Sometime Milan: Prospects for a Search for Giordano Bruno, through Prospero, Coleridge, and the Figure of Exile', Mosaic 8 (1975), 127-39

Shaheen, Naseeb, Biblical References in Shakespeare's History Plays (London and Toronto:

Associated University Presses, 1989) Shaw, Catherine M.. 'The Tragic Substructure of the Henry IV plays' Sh. S. 38 (1985), 61-7 Shaw. John, 'Fortune and Nature in As You Like It\ Sh. O. 6 (1955). 45-50 Sherman, William H., John Dee: The Politics of Reading and Writing in the English Renaissance (Amherst: University of Massachusetts Press, 1995) Sicherman, Carol M., 'Coriolanus: The Failure of Words' ELH39 (1972), 189-207 Simmons, J. L., Shakespeare 's Pagan World: The Roman Tragedies (Brighton: Harvester Press, 1974) Skura, Meredith Anne, 'Discourse and the Individual: The Case of Colonialism in The Tempest', Sh. Q. 40 (1989), 42-69 Slater. Ann Pasternak. Tetrarchism Come True in Romeo and Juliet' in Images of

Shakespeare ed. by Werner Habicht, D. J. Palmer and Roger Pringle (London and Toronto:

Associated University Presses, 1988), 129-50

–  –  –

Tolstoy, Leo, What is Art? IT. by Aylmer Maude (London: Walter Scott Ltd, 1899)

Tonkin, Humphrey, Spenser's Courteous Pastoral: Book Six of the Faerie Queene (Oxford:

Clarendon Press, 1972) Traister, Barbara Howard, Heavenly Necromancers: The Magician in English Renaissance Drama (Columbia: University of Missouri Press, 1984) Trevelyan, G. M, Wandering Englishmen in Italy, Proceedings of the British Academy 16 (London: Humphrey Milford, 1930) Trofton, Dain A., 'Shakespeare's Henry IV: A New Prince in a New Principality' in Shakespeare as Political Thinker, 83-94 Van Doren, Mark, Shakespeare (1939) (London: George Alien & Unwin Ltd., 1941) Van Laan, Thomas, 'Acting as Action in King Lear' in Some Facets of King Lear, 59-75 Velz, John W., 'Cracking Strong Curbs Asunder: Roman Destiny and the Roman Hero in Coriolanus\ ELR 13 (1983), 58-69 Von Rosador, Kurt Tetzeli, The Power of Magic: From Endimion to The Tempest', Sh. S. 43 (1991), 1-13 Vyvyan, John, Shakespeare and the Rose of Love (London: Chatto and Windus, 1960) Waith, Eugene M., The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden (London: Chatto and Windus, 1962) Weckermann, Hans-Jurgens, ' Coriolanus: The Failure of the Autonomous Individual' in Shakespeare: Text, Language, Criticism: Essays in Honour ofMarvin Spevack ed. by Bemhard Fabian and Kurt Tetzeli von Rosador (Zurich and New York: Olms-Weidmann, 1987), 334-50 Wells, Charles, The Wide Arch: Roman Values in Shakespeare (London: Bristol Classical Press. 1993) Wells, Stanley, The Challenges of Romeo and Juliet' Sh. S. 49 (1996), 1-15 Wells, Stanley, 'The Lamentable Tale of Richard If Sh. St. (Tokyo) 17 (1982), 1-23

Wells, Stanley and Gary Taylor (eds.) William Shakespeare: A Textual Companion (Oxford:

Clarendon Press, 1987) Westlund, Joseph. Shakespeare 's Reparative Comedies: A Psychoanalytic View of the Middle Plavs (Chicago and London: University of Chicago Press, 1984) Wheeler, Richard P., '"Since first we were dissevered": Trust and Autonomy in Shakespearean Tragedy and Romance' in Representing Shakespeare, 150-69 Whittier, Gayle, 'The Sonnet's Body and the Body Sonnetized in Romeo and Juliet' Sh. O. 40 (1989), 27-41 Wickham, Glynne, 'From Tragedy to Tragi-Comedy: King Lear as Prologue', Sh. S. 26 (1973), 33-48 Wilkinson, L. P., Ovid Recalled (Cambridge: Cambridge University Press, 1955) Williams, David, The Exile as Uncreator' Mosaic 8 (1975), 1-15

Williams, Gareth D., Banished Voices: Readings in Ovid's Exile Poetry (Cambridge:

Cambridge University Press, 1994) Williamson, Marilyn L., 'Romeo and Death' Sh. St. 14 (1981), 129-37 Wilson, J. Dover, The Fortunes of Falstaff (Cambridge: Cambridge University Press, 1943) Winny, James, The Player King: A Theme of Shakespeare 's Histories (London: Chatto and Windus, 1968) Woodbridge, Linda, 'Palisading the Body Politic' in True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and His Age ed. by Linda Woodbridge and Edward Berry (Urbana and Chicago: University of Illinois Press, 1992), 270-95 Wraight, A. D., The Story that the Sonnets Tell (London: Adam Hart Ltd., 1994) Wylie, James H., The Reign of Henry the Fifth (Cambridge: Cambridge University Press, 1914-29)3 vols.

Yates, Frances A., Astraea: The Imperial Theme in the Sixteenth Century (London and Boston: Routledge & Kegan Paul, 1975) Yates, Frances A., The Occult Philosophy in the Elizabethan Age (London and Boston: Ark, 1979repr. 1983) Young, David, The Heart s Forest: A Study of Shakespeare's Pastoral Plays, (London and New Haven: Yale University Press, 1972)



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